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🎹 What Actually Produces Sound at the Piano?

It’s easy to believe that piano sound comes from what we do with our fingers.

And in part, it does. But the piano itself is a resonant partner — a body with its own complexity and voice.


At its core, the piano acts as an acoustic amplifier.


The sound doesn’t simply come from the keys or the strings.

And while we do hear the strings themselves, they alone wouldn’t carry very far.

What gives the piano its richness and depth is what the French so poetically call the table d’harmonie.


“Soundboard” is the literal translation, but the French term captures something deeper: the idea that sound can resonate in harmony — with breath, with architecture, with imagination.


This finely crafted surface — usually made of spruce — receives the vibrations of the strings and transforms them into something audible, spacious, and emotionally resonant.


Here’s what happens:

You press a key → a hammer strikes a string → the string vibrates → that vibration passes through the bridge → into the table d’harmonie → which then amplifies and radiates the sound into the air.


And something magical happens when you add the pedal.


Because the dampers lift from the strings when you press the pedal, other strings — even those you didn’t play — begin to vibrate in sympathy, enriching the tone with layered harmonics.

This phenomenon is known as sympathetic resonance, and it’s part of what gives the piano its extraordinary depth and warmth.


As Anton Rubinstein so aptly put it:


“The pedal is the soul of the piano.”

Not just an effect, but a gateway to resonance — shaping not only what we hear, but what we feel.


But the piano doesn’t only amplify the sound of the strings — it amplifies all acoustical energy transferred into it.

This is why two pianists can play the same note, on the same instrument, at the same speed, and still sound completely different.


It’s not just which note is played — it’s how energy is transmitted into the system.

The way your finger meets the key — the timing, the weight, the flexibility — is translated through the mechanism and becomes part of the sound.

Subtle differences in touch become audible differences in tone.


In a way, the piano records us.

Not digitally, but acoustically.

It reacts to how we play — and sings accordingly.


We’ll soon explore what happens next:

→ The intricate mechanical system that transforms gesture into sound

→ The often overlooked role of noise

→ And how subtle differences in contact create entirely different colors


But for now, remember this:


The piano is not just a keyboard. It’s a resonant body — and every note we play is a dialogue with its structure.


JM | Art of Piano


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